Entertainment - Movies - trailers latest news

A world premiere at - and the comedy smash of - the 2008 Sundance Film Festival. In the irreverent comedy, a failed actor-turned-worse-high-school-drama teacher (Steve Coogan) rallies his Tucson, AZ students as he conceives and stages a politically incorrect musical sequel to Shakespeare’s Hamlet.

Director Henry Bean (“The Believer”) returns to the big screen with a complete rarity in American movies today: a comedy of ideas. David (Oscar-winner Tim Robbins) is a successful lawyer who can’t stand the fact that Manhattan is a place where it’s too noisy to get a good night’s sleep, listen to classical music, or even make love to his wife without disturbance. Every time David hears a car alarm going off, he swings into action. Adopting the guise of “The Rectifier,” he engages in acts of vandalism that satisfy him immensely but which generate no end of grief from his wife (Bridget Moynahan). They also make him politically controversial when he provokes the ire of the city’s arrogant mayor (Oscar-winner William Hurt).

A brief film synopsis (inline text in email form, or txt/doc document) “Alone in a Paris plagued by deadly race riots, the young and beautiful Yasmine is looking for a way out. In her desperation, she turns to her shady ex-boyfriend. Together with his two thug friends, they pull off a bold heist and head for the border. With the police close behind, they hide out in a seemingly peaceful inn. But the mysterious innkeeper is hiding a secret more terrifying than anything they could ever imagine. Trapped in an endless maze of tunnels crawling with hungry subhuman cannibals, they must fight to survive their bloody initiation into the innkeeper's evil family cult.”

In China, it is simply known as “The River.” But the Yangtze—and all of the life that surrounds it—is undergoing a truly astonishing transformation wrought by the largest hydroelectric project in history, the Three Gorges Dam. Canadian documentary filmmaker Yung Chang returns to the gorgeous, now-disappearing landscape of his grandfather’s youth to trace the surreal life of a “farewell cruise” that traverses the gargantuan waterway. With Altmanesque narrative agility, a humanist gaze and wry wit, Chang’s Upstairs Downstairs approach beautifully captures the microcosmic society of the luxury liner. Below deck: A bewildered young girl trains as a dishwasher—sent to work by her peasant family, who is on the verge of relocation from the encroaching floodwaters. Above deck: A phalanx of wealthy international tourists set sail to catch a last glance of a country in dramatic flux. The teenaged employees who serve and entertain the