A single mom and her slacker sister find an unexpected way to turn their lives around in the off-beat dramatic comedy Sunshine Cleaning. Directed by Christine Jeffs (Rain, Sylvia), this uplifting film about an average family that finds the path to its dreams in an unlikely setting screened in competition at the 2008 Sundance Film Festival. Once the high school cheerleading captain who dated the quarterback, Rose Lorkowski (Academy Award nominee Amy Adams) now finds herself a thirty something single mother working as a maid. Her sister Norah, (Golden Globe winner Emily Blunt), is still living at home with their dad Joe (Academy Award winner Alan Arkin), a salesman with a lifelong history of ill-fated get rich quick schemes. Desperate to get her son into a better school, Rose persuades Norah to go into the crime scene clean-up business with her to make some quick cash. In no time, the girls are up to their elbows in murders, suicides and other…specialized situations. As they climb

The Matador’ is the epic tale of David Fandila’s quest to become the world’s top-ranked bullfighter. Heart-wrenching setbacks and thrilling successes dramatize ‘El Fandi’s’ three-year journey across Spain and Latin America and into the pages of bullfighting history. More than one man’s quest for greatness, “Matador” is a story of love — of a son for his family, of audiences for their heroes, of a people for their cultural traditions, and of the bullfighter’s paradoxical love for the majestic beast that he must kill to create his art. As David struggles to achieve his place in the pantheon of Spain’s greatest bullfighters, he is confronted by those who question the place of this ancient and brutal ritual in the modern world.

In the style of City of God, TALENTO DE BARRIO tells the story of Edgar Dinero (Daddy Yankee), an angry young man from the slums of Puerto Rico who gets tangled between the thug life of his neighborhood and the beat of his barrio. On that path Edgar encounters disruption among his crewmen while falling in love with an uptown girl, from whom he must conceal his ties with the violent barrio underworld. Edgar may run, but he can’t hide from the corrupt cops and the full-blown turf war amongst his men. Soon enough Edgar is faced with two choices: die as the Boss of the underworld or live as the King of Reggaetón.